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  • Isigubu through Gqom

    "In 2018, the Zulu drum alleged to have been played during the 1906 Bambatha rebellion against British rule and unfair taxation in the colony of Natal (discussed by Nixon) became the focus of Amogelang Maledu’s Honours research project. In ‘Isigubu through gqom: The sound of defiance and Black joy’, Maledu (who has an undergraduate degree in Anthropology and Visual Culture) used the drum’s history of colonial resistance and contextualised it through the contemporary musical genre of gqom, showing music as both an act and celebration of joy and freedom and of defiance against the limitations of township life. Through her ‘speculative and imagined interconnectedness’ of the isigubu and gqom, Maledu appropriated the limited information available about the former and expanded it by reinventing new historical pathways that reframed colonial narrations and aesthetics (Maledu 2018: 29–30). Her curation broke the silence of the Kirby instruments and liberated the isigubu from its ethnomusicological framework through a juxtaposition that spoke back to history and the contemporary moment. In addition, a website provides a framework for historicising gqom and encouraged the growth of its archive through viewer engagement, also highlighting the speculative and stagnant colonial archive in which the isigubu is situated (Maledu 2018: 29–30)" (Liebenberg 2021: 211 - 212).
  • Prisoners on a Projecting Platform

    Etching from Giovanni Battista Piranesi's 'Carceri d'invenzione (Imaginary Prisons)' ca. 1749–50
  • The Pier with Chains

    Etching from Giovanni Battista Piranesi's 'Carceri d'invenzione (Imaginary Prisons)' ca. 1749–50
  • The Drawbridge

    Etching from Giovanni Battista Piranesi's 'Carceri d'invenzione (Imaginary Prisons)' ca. 1749-50
  • Igemfe

    "The transverse flute is rarely seen among the Zulu, who, if they make and use it, call it igemfe, the name of a totally different instrument. I possess three specimens, one from Inchanga, one from Pietermaritzburg district, and one from Ixopo. The first two are open at the end opposite the embouchure, and have three finger-holes; the third is a curiously aberrant example, being closed at both ends and having four finger–holes arranged in pairs" (Kirby 2013: 179) Hornbostel-Sachs number: 421.121.32 Stopped side-blown flutes with fingerholes, Length: 291mm (11.4in), Diameter: 36mm (1.2in), Place of production: St. Michael's-on-Sea (KwaZulu-Natal, South Africa).
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