Items · The Medicine Chest

Livingstone

A small wooden chip from the same object collection as the medicine chest balanced on top of one of the bottles from the chest. "The treatment, the Livingstone rouser, was formulated by Dr Livingstone, who, after an attack of malaria in 1853, patented this mixture of quinine and purgatives (calomel, rhubarb and jalop) mixed with opium (Barrett & Giordani 2017: 1655–1666). The chip balanced on its lid is said to be from the almond tree under which he proposed to Mary Moffat in 1844. The juxtaposition of these two objects, one representing the quantifiable and the other the poetic, draws the viewer to consider the conflation of these two realms" (Liebenberg 2021: 273).

Broken

"This cabinet displayed a round-bottomed flask that broke during the installation of the exhibition, and which I attempted to mend. The accompanying BWC medicine chest manual highlights the qualities the company wanted to portray as unique to the Tabloid medicine chest and that they believed would set them apart from competitors – such as the longevity of the medicines they sold and the indestructability of the chests (BWC 1925: 2–3). Addressing the supposed indestructability of the chest by focusing specifically on the wide array of glass-stoppered bottles that form a large part of its overall contents and which, according to BWC, ensured the longevity of the medicines, this exhibit displayed a laboratory bottle of similar material, but in a state that demonstrates its fragility. As such, it subverts BWC’s grand claims of indestructability and thereby throws the rest of its claims into doubt" (Liebenberg 2021: 259).

Subtle Thresholds (PLC)

"Integrated into the PLC, these works speak to the specimens on display and provide interesting access points to the collection. The animal-faeces prints (which referenced ‘sites of contamination’ in the context of the SAM exhibition) resonate, for instance, with many of the specimens on display in the PLC, such as the heterotopic heart (also called a ‘piggy-back heart transplant’) created by Dr Chris Barnard in 1977, consisting of a baboon heart grafted onto a human heart for additional motoric support. In addition to their more ‘famous’ specimens, the centre also has an extensive intestinal worm collection and many organs affected by zoonotic diseases, such as a liver ravaged by malaria. This was not a conscious decision on the part of the artist-curator and illustrates how curation can draw attention to aspects of a collection and liberate new associations when brought into conversation with it" (Liebenberg 2021: 201).

Planthology (detail)

“For 'Planthology (Bulbine frutescens and Lessertia frutescens)' I sourced two medicinal plant specimens from Kirstenbosch National Botanical Garden and x-rayed them at Groote Schuur Hospital (#10 and #13). These two local plants offer a wide variety of healing properties and address the lacuna of the chest. The fresh leaves of the Bulbine frutescens produce a jelly-like juice that can be used for burns, rashes, blisters, insect bites, cracked lips, acne, cold sores, mouth ulcers and areas of cracked skin, while an infusion of these leaves in a cup of boiling water can be taken for coughs, colds and arthritis (Harris 2003: online). The Lessertia frutescens is used as an immune booster in the treatment of HIV/AIDS, as a medicine in the treatment of chicken pox, internal cancers, colds, asthma, TB, bronchitis, rheumatism, rheumatoid arthritis and osteoarthritis, liver problems, haemorrhoids, piles, bladder and uterus problems, diarrhoea, dysentery, stomach ailments, heartburn, peptic ulcers, backache, diabetes, varicose veins and inflammation (Xaba & Notten 2003: online)” (Liebenberg 2021: 269).

Planthology

In conversation with Dr Yeats in 2011 about adding a few medicinal plants to the centre as part of its displays, she mentioned that no plants survived in there. They all seemed to die from some mysterious cause. I decided to source three medicinal plants, the Lessertia frutescens, Bulbine frutescens and Artemisia afra, and X-ray them to 'diagnose' what might be the cause of their demise. In subjecting the plants to this process and placing the x-ray images in a space that foregrounds the diagnosis of human disease, I intended to create a heterarchical shift in this relationship, considering a world in which the degree of care directed toward human ailments might be replicated in treating diseases manifest in the botanical world.

‘Mrs Glover attending to an ill African chief.’

"The figure of ‘Mrs Glover’, kneeling and treating what appears to be a very ill man, exudes not only the authority of Western medicine within the local context but conveys her as the self-sacrificing and caring European ‘civilizer’ in service of expanding the empire, ‘the medicine chest conveniently by her side’ (Johnson 2008b: 259)" (Liebenberg 2021: 63 - 65).

Hosts and Carriers

A selection of glass slides of the insects, ticks and worms that are the primary or intermediate hosts or carriers of human diseases. These slides also featured in the 'Curiosity CLXXV' and 'Subtle thresholds' exhibitions, sourced from the Pathology Learning Centre (PLC), where they were originally donated by the secretary of the Department of Microbiology. Dr Yeats identified them as glass photomicrographs and speculated that they were probably made for a special projector used for teaching many years ago.

The Landis Museum

A drawing by the artist-curator James Hutchinson (Chapter Thirteen) based on an audio description of the object as art of the Glasgow International Arts festival. "Nina Liebenberg also undertakes a form of object analysis at an institutional border. She spent an afternoon in the strongroom of the University of Cape Town's special collections department, examining an early 20th century medicine box commissioned for a hunting trip in (then) Northern Rhodesia. Such boxes had been essential parts of the British colonial project, and allowed emigres, missionaries and explorers to venture deeper into unknown territory without fear of contracting tropical diseases. Liebenberg’s report from the strongroom acts as a set of instructions for The Landis Museum’s curator to make a drawing of the box, to which he has no physical access". Extract from the 'Exhibition Guide' of the Landis Museum (Chapter Thirteen), Glasgow International Arts Festival, 20 April - 07 May 2018.

BC666

A page of the Tabloid guide.

Wednesday, 1 April 2020

Marseille, France: A resident of a block of flats is passed food by his neighbours using a rope made of blankets.

Simone

A year after Simone's death from cancer, Cousteau announced that he had been having an affair with a woman, Francine Triplet, for over a decade. He also had two children with her, Diane and Pierre-Yves.

Untitled

An IV drip releases a drop on a handkerchief floating above a fan, drying it before next one falls.

A perfect day for bananafish

Extract from J.D. Salinger's 'For Esmé - With Love and Squalor' in which Seymour Glass interacts with a young girl while swimming in the ocean on holiday. “Miss Carpenter. Please. I know my business,” the young man said. “You just keep your eyes open for any bananafish. This is a perfect day for bananafish.” “I don’t see any,” Sybil said. “That’s understandable. Their habits are very peculiar.” He kept pushing the float. The water was not quite up to his chest. “They lead a very tragic life,” he said. “You know what they do, Sybil?” She shook her head. “Well, they swim into a hole where there’s a lot of bananas. They’re very ordinary-looking fish when they swim in. But once they get in, they behave like pigs. Why, I’ve known some bananafish to swim into a banana hole and eat as many as seventy-eight bananas.” He edged the float and its passenger a foot closer to the horizon. “Naturally, after that they’re so fat they can’t get out of the hole again. Can’t fit through the door.” “Not too far out,” Sybil said. “What happens to them?” “What happens to who?” “The bananafish.” “Oh, you mean after they eat so many bananas they can’t get out of the banana hole?” “Yes,” said Sybil. “Well, I hate to tell you, Sybil. They die.” “Why?” asked Sybil. “Well, they get banana fever. It’s a terrible disease.” “Here comes a wave,” Sybil said nervously. “We’ll ignore it. We’ll snub it,” said the young man. “Two snobs.” He took Sybil’s ankles in his hands and pressed down and forward. The float nosed over the top of the wave. The water soaked Sybil’s blond hair, but her scream was full of pleasure. With her hand, when the float was level again, she wiped away a flat, wet band of hair from her eyes, and reported, “I just saw one.” “Saw what, my love?” “A bananafish.” “My God, no!” said the young man. “Did he have any bananas in his mouth?” “Yes,” said Sybil. “Six.” The young man suddenly picked up one of Sybil’s wet feet, which were drooping over the end of the float, and kissed the arch. “Hey!” said the owner of the foot, turning around. “Hey, yourself! We’re going in now. You had enough?” “No!” “Sorry,” he said, and pushed the float toward shore until Sybil got off it. He carried it the rest of the way. (Salinger 1986: 20-21).

Haematite Miner's Lung (Or Sidero-silicosis)

Catalogue No: R3-d55-0331. Origin: UCT Anat Path museum. Old Museum No: V:x:6. Year: not recorded. Clinical data: No further clinical or laboratory details are available other than that the patient was an emaciated 50 year old man. Macroscopy: The specimens preserved are both lungs, the heart, kidneys, spleen and and portions of liver. In the thorax, both pleural cavities were completely obliterated by a fibrous pleurisy of long-standing and both lungs were universally adherent throughout. They were stripped off with difficulty and were found to have thickening of the pleura over the upper lobe on the left side and the upper and middle lobes on the right. The lower lobes on both sides were soft and spongy while the upper lobes were dense and firm on palpation but on section there was no cavitation and no evidence of tuberculosis. The left lung showed a dense fibrosis of the whole of the upper lobe and the upper third of the lower lobe; no crepitant lung tissue could be found in the upper lobe while the lower two-thirds of the lower was crepitant and showed emphysema of a hypertrophic nature. The lung was a dull brick colour and haematite dust flowed out with the fluid when the lung was sectioned. The right lung presented a similar appearance to the left. There was a solid dense fibrosis of the upper and middle lobes and the lower lobe showed fibrosis with hypertrophic emphysema. There was no evidence of tuberculosis and on palpation, a dense fibrosis was found with no nodular formation whatever. On section, it showed a similar appearance of a brick-dust colour, dilated bronchi and uniform fibrosis of the upper and middle lobes with no crepitant lung tissue. The pericardial sac was slightly increased in size due to a hypertrophied and dilated heart. The hypertrophy was mostly on the right side and there was a terminal dilatation of the right atrium; the valves and coronary vessels unremarkable.The liver was small and on section showed venous congestion and cloudy swelling. Microscopy: On microscopy, sections of lung show a diffuse fibrosis of both upper lobes with no recognizable lung tissue. The fibrosis in areas has a slightly whorled arrangement, the centre of which is hyaline and contains no iron pigment and surrounding it is a zone of cellular tissue containing masses of iron. In the upper part of the lower lobe where the lung tissue is recognizable as such, a few nodules definitely resembling silica nodules are to be seen. In the both lower lobes a solid oedema was noted and emphysema marked. The fibrosis was not present to anything like the same extent in the lower lobes, the emphysema being the most marked feature. No evidence of tuberculosis was found in either lung, though a calcareous gland was found in the hilum. Under polarised light, the iron showed up as a golden brown with a few points of light, clear, needle-like in contra-distinction to the iron lying free in the fibrous tissue. The macrophages are beautifully shown lying inside the alveoli filled with iron dust. Percentage of Ash 16.6 Percentage of silica to ash 6.6 Percentage of silica to dry lung 1.1 Percentage of iron to ash 10.3 Percentage of iron to dry lung 6.7 Comments: In summary, the post mortem findings were of: Dense pulmonary fibrosis; hypertrophied and dilated right ventricle; failure of compensation. This condition is described as haematite miner's lung or sidero-silicosis, caused by the inhalation of dust containing silica and ferric oxide which is the principal component of the ore. The fibrosis is thought to be caused primarily by the silica and the exact role of the iron pigment in the pathogenesis of the lesion is not clear. The earliest lesions occur as small densely fibrous, sub-pleural foci usually in the upper lobes; these grow by coalescence of adjacent foci until a diffuse fibrosis of the whole lobe is produced. Haematite miner's fibrosis is commonly associated with tuberculosis and other chronic lung infections; in addition there is quite a high incidence of carcinoma of the lung reported in these cases.

Silicosis

A gold miner using a rock drill with a water spray in an attempt to prevent the occupational disease silicosis, caused by dust inhalation.

Observing marbling in Edirne

A marbling demonstration observed during a 2012 trip to Istanbul and a visit to the neighbouring Edirne's Health Museum. Opened in Sultan Bayezid II külliye in 1488, the hospital treated patients for over 400 years, until 1909, along the tradition of Turkish-Islamic medicine, which included the treatment of diseases by music.

Chip of wood from an almond tree

Said to be a chip from the tree under which David Livingstone is said to have proposed to Mary Moffat 1884. Wood chip was donated by R.F. Immelman who purchased it from Kimberley museum.

Mozart's Antimony

Medical bedside cabinet, gramophone player with a hypodermic needle substitution, Mozart’s Sonata in C, KV 279 and Sonata in D, KV 576. The needle is slowly scratching irreparable grooves into the record whilst the record in return, is making the needle blunt.. "On 20 October 1791, Mozart told his wife Constanza that he was being poisoned. On 20 November he developed a fever; his hands, feet and stomach became swollen, and he had attacks of vomiting. He died on the 5th of December. Although Antonio Salieri confessed to Mozart’s murder several years later, it is highly unlikely as Salieri suffered from senile dementia. In 1991, Ian James of London’s Royal Free Hospital attributed Mozart’s death to antimony, a poison that Mozart may have been given by his doctor - not to kill him but to cure him. Antimony was prescribed for what was then diagnosed as melancholia. In small doses it leads to headaches, fainting and depression. In large doses it can be fatal within days (Emsley 1999: 225). In the autumn of 1791, Mozart, suffering from severe depression, exacerbated by debt, the ill reception of his new work La Clemenza di Tito, and a commission to write a requiem which he believed was for his own funeral, dosed himself with a variety of medicines – one of these being antimony – and what was meant to cure, killed" (Liebenberg 2011: 85 - 91).

Lacuna (Part one)

"It is interesting to note that the botanical origins of most of these medicines were from outside of Africa, especially if one considers the long history of the Cape as a point on the trade routes where ill sailors regularly disembarked and drew on the knowledge of the Khoekhoe traditional healers for treatment and herbal cures (Laidler & Gelfand 1971: 44). The Cape flora offered a plenitude of medicinal resources and these healers (who were skilled in botany, surgery and medicine) used them in a variety of healing practices . The exclusion of local botanical remedies in the BWC No. 254 medicine chest can be attributed to many factors" (Liebenberg 2021: 67).

Lacuna (Part two)

An ill English Oak on Hiddingh Campus, Michaelis School of Fine Art, University of Cape Town. English oaks were first brought into the country by the early settlers and were one of the first exotic tree species to be planted in South Africa, shortly after Van Riebeek’s arrival in 1652. He explained that in South Africa, these trees do not grow as old as they would have in Europe. The high temperatures cause these trees to grow faster than their species back home, and because of this, their centers start rotting over an extended period of time. The center part of the wood – the heart – is affected by this occurrence and hollowed out over time.

"I have scars on my hands from touching certain people"

"The words of Seymour Glass, eldest sibling of the Glass family – a lesser known creation of J.D. Salinger’s literary world. The story of this family of child geniuses, who appeared on a 1927 radio quiz show called 'It’s a Wise Child', is chronicled in three of his books – mostly centering on the relationship between the two eldest brothers, Buddy and Seymour. Salinger favours Seymour. He was the most brilliant and idiosyncratic of all the children and unfortunately, for the most part, only present as a memory – since he committed suicide, age 31. Buddy reminisces about one specific Seymour moment: His mother urging him to see a psychiatrist and him telling her that he doesn’t need a head doctor – he needs a hand doctor or a dermatologist, whereupon he looks at his hands and tells her he has these scars – these discolourations on them – from touching certain people. Certain heads, certain colours and textures of human hair leave permanent marks on him. When he put his hand on his little sister Franny’s head when she was still in the carriage, it left a mark. Or with her twin brother, Zooey, when he was six or seven, during a spooky movie. He put his hand on Zooey’s head when he went under the seat to avoid watching a scary scene. It left a mark. Other things, too. Charlotte, the girl he was in love with, tried to run away from him once and he grabbed her dress. It left a permanent lemon-yellow mark on the palm of his right-hand (Salinger 1964:59). His hands were filled with these discolourations – these physical manifestations of his emotions. They became a type of medical condition. And he needed to cure it" (Liebenberg 2011: 91 - 93). Salinger recounts the day of Seymour's suicide in a short story he later wrote, called 'A Perfect Day for Bananafish'.

Neck-support

"Made from oak, the object was used to support the neck of an individual during post-mortem examinations conducted at the University of Cape Town’s mortuary unit. My first encounter with it was in Dr Yeats’s office in the Pathology Learning Centre, many years ago. Heavy in weight and invested with the traces of hundreds of individuals, it somehow seemed more representative of disease, than the 3500 specimens floating in formaldehyde displayed in the surrounding rooms " ( Liebenberg 2021: 257).

Tobacco Mosaic Virus

During the late 19th century, tobacco farmers observed a strange occurrence on the leaves of their tobacco plants. A mosaic pattern of light and dark green (or yellow and green, in some instances) appeared on the leaves of their crops, the presence of which signalled the steady decline in the plant’s growth. Because of the lucrative nature of the industry, finding a treatment for this seemingly infectious disease became a priority, with many laboratories working to isolate the cause. Bacteria were recognised as the causative agents of many infectious diseases of plants and animals, including humans, in the second half of the 19th century – and the technique of filtration was developed to separate infectious agents from extracts or exudates in order to study these microbes. It was whilst utilising this technique that Dmitri Ivanovski, a Russian microbiologist working in the Crimea in 1890, made a surprising discovery. Using the Chamberland–filter made from porcelain and designed to trap ordinary bacteria, Ivanovsky discovered that the filtered sap from the diseased plants could continue to transfer the infection to healthy plants – an occurrence he attributed to an agent which must be an exceedingly small parasitic microorganism, invisible even under great magnification. It would take another 45 years before the visualisation of this subcellular entity would be formulated with the help of an electron microscope, but Ivanovksy, along with the Dutch botanist M.W. Beijerinck, who also and independently, isolated these microbes in his laboratory in 1898, are generally credited for the discovery of viruses. The disease which infected the tobacco plants would be aptly called the Tobacco Mosaic Virus, and its identification would signal the initiation of a field of study known as virology.

Philosophia Botanica

"'Tabloid' Medicine Chests and Cases and 'Tabloid' First Aid Outfits have become standard equipment for travellers. They have accompanied the pioneers of tropical exploration through the jungles of Equatorial Africa, Asia and South America, as well as travellers to the unknown parts of the temperate zones" (BWC 1934: 12).

Wings

512 lasercut hands derived from images of healing: 2500 BC - 2000 AD.

Murmeration

Heart murmurs are sounds – such as whooshing or swishing – made by turbulent blood in or near the heart. When doctors listen to a child's heart, what they usually hear is a simple rhythm: "lub-dub, lub-dub, lub-dub..." Sometimes, they'll hear an extra sound in between the lub and the dub. That extra sound is called a heart murmur. Heart murmurs can be harmless or abnormal. In the case of the latter, it is usually the result of abnormal blood flow through the heart caused by a heart valve not working properly.

Holes

A virus attacks a cell by attaching itself to the outer wall. It then uses a specialized protein to digest a small hole in the wall of the cell and inject its nucleic acid molecule into the cell's cytoplasm.

Flight

A chorus of juvenile heartbeats affected by Atrial Septal (ASD) and Ventricular Septal Defects (VSD), Patent Ductus Arteriosus(PDA), and Aortic Valve Stenosis (AVS), transposed to a higher frequency to simulate birdsong

The Lost Boys

After they left Neverland, Mr and Mrs Darling adopted the Lost Boys. Before they had attended school a week they saw what goats they had been not to remain on the island; but it was too late, and they settled down to being as ordinary as “you or me or Jenkins minor” (Barrie 1989: 180). It is sad to say that the power to fly gradually left them. “At first Nana tied their feet to the bedposts so that they should not fly away in the night; and one of their diversions by day was to pretend to fall off buses; but by and by they ceased to tug at their bonds in bed, and they found that they hurt themselves when they let go of the bus. In time they could not even fly after their hats. Want of practice, they called it; but what it really meant was they no longer believed” ( Barrie 1989: 180-181).

Touching both walls at the same time

As a young sculptor working in the 1960s, Horn suffered severe lung damage from working with fiberglass and polyester, and spent long periods convalescing in hospital. Whilst restricted to her hospital bed, Horn devised a series of wearable sculptures or 'body extensions' which she would later make using cloth, wood, bandages, belts, feathers, and found objects. Her masks and extensions contain, constrain, and/or elongate the bodies of their wearers.

Icarus

Perspex wings with histology slides. Histology slides are prepared by taking a sample of biological tissue and fixing it to preserve the tissue in as natural a state as possible and prevent postmortem decay. The tissue is immersed in a chemical fixative and then embedded in wax to make it hard enough to cut into very thin sections of tissue (usually 5 to 7 micrometers in thickness). It is then passed through baths of solvents which remove the wax, then through graded alcohols, water and finally through baths of haematoxylin and eosin to stain it for better viewing under a microscope.

Philosophia Botanica

"'Tabloid' Medicine Chests and Cases and 'Tabloid' First Aid Outfits have become standard equipment for travellers. They have accompanied the pioneers of tropical exploration through the jungles of Equatorial Africa, Asia and South America, as well as travellers to the unknown parts of the temperate zones" (BWC 1934: 12).

Touching both walls at the same time

As a young sculptor working in the 1960s, Horn suffered severe lung damage from working with fiberglass and polyester, and spent long periods convalescing in hospital. Whilst restricted to her hospital bed, Horn devised a series of wearable sculptures or 'body extensions' which she would later make using cloth, wood, bandages, belts, feathers, and found objects. Her masks and extensions contain, constrain, and/or elongate the bodies of their wearers.

Soda-Mint (Neutralising)

"Antacid, exhilarant and stimulant. From one to three as a neutralising agent, in irritable and acid conditions of the stomach, dyspepsia, flatulence, etc. They may be swallowed with water, or be powdered and dissolved in water and taken as a draught" (BWC 1925:138).