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The Medicine Chest

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  • Vatnajökull (the sound of)

    A live phone line was created to an Icelandic glacier, via an underwater microphone submerged in Jökulsárlón lagoon, an outlet of Vatnajökull. The number 07757001122 could be called from any telephone in the world, and the listener would hear the sound of the glacier melting.
  • Condensation Cube

    "One of Hans Haacke’s earlier works. While over time the artist developed a critique of art as an institution and system, these early works focus on art in the sense of process and physical system. Interested in biology, ecology and cybernetics, in the mid-sixties Haacke was influenced by the ideas of Ludwig von Bertalanffy, especially those outlined in his General System Theory of 1968. For the Austrian biologist and philosopher, a living organism is an open system that continuously changes depending on its dialogue or interaction with the environment. Haacke’s early works, such as Condensation Cube, transpose this concept to the realm of art" (MACBA 2021).
  • The body fluid

    "We shed many skin cells – at a rate per hour it comes close to a million cells per day. New cells generated at the bottom of our layered epidermis push their way to the top, where they are weathered by the environment and our daily activities. ​ As the living body breaks down, it becomes lodged in skin pores and clothing fibres. It is inhaled, irritates, is sneezed out and blown afar; it collects in corners, and gathers on surfaces. It welcomes company, joining with soil or, lifted by weather patterns, combines with volcanic eruptions, pollution and plant pollen, or with animal bodies, minerals, and even with burnt meteorite particles – all the while becoming increasingly microscopic and indistinct. The body, now fluid and divisible, transgresses boundaries. Transformed and nomadic, it inhabits spaces without detection. That is, until a ray of sunlight reveals drifting motes hovering in the air, or a missing shoe leads to the surprise discovery of a copulating fluffle of dust bunnies under the bed. In Gutspeak, these former remnants of ourselves are gathered by the artist Dominique Edwards from the tools used to seemingly eliminate them, and turned into sheets of paper. On closer inspection, these sheets reveal a multitude of its separate components: eyelashes, cosmetics, grains of sand, diminished chewing gum wrappers and pubic hair. There is also glitter. And a surprising amount of it. Are these cosmetic ingredients? Or...perhaps meteorite particles?"
  • The Tide Turns Installation

    Tumble dryer lint
  • The Tide Turns Installation

    Paper works made from new mops, used mops and tumble dryer lint. Sculptural installation consisting of one small intermittently rotating mop and one large continuously rotating mop.
  • Mop

    Videos projected onto a floating screen
  • Floor

    Used mop paper
  • Avoided Object

    Photographs of the sky above the Imperial War Museum taken with the camera that belonged to Hoess, commandant of Auschwitz
  • Amelia

    Amelia Earhart explaining her flight and the welcome she received
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