The Medicine Chest

Items

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  About Ed Ricketts

  "Just about dusk one day in April 1948 Ed Ricketts stopped work in the laboratory in Cannery Row. He covered his instruments and put away his papers and filing cards. He rolled down the sleeves of his wool shirt and put on the brown coat which was slightly small for him and frayed at the elbows. He wanted a steak for dinner and he knew just the market in New Monterey where he could get a fine one, well hung and tender. He went out into the street that is officially named Ocean View Avenue and is known as Cannery Row. His old car stood at the gutter, a beat-up sedan. The car was tricky and hard to start. He needed a new one but could not afford it at the expense of other things. Ed tinkered away at the primer until the ancient rusty motor coughed and broke into a bronchial chatter which indicated that it was running. Ed meshed the jagged gears and moved away up the street. He turned up the hill where the road crosses the Southern Pacific Railways track. It was almost dark, or rather that kind of mixed light and dark which makes it very difficult to see. Just before the crossing the road takes a sharp climb. Ed shifted to second gear, the noisiest gear, to get up the hill. The sound of his motor and gears blotted out every other sound. A corrugated iron warehouse was on his left, obscuring any sight of the right of way. The Del Monte Express, the evening train from San Francisco, slipped around from behind the warehouse and crashed into the old car. The cow-catcher buckled in the side of the automobile and pushed and ground and mangled it a hundred yards up the track before the train stopped" (Steinbeck 1951: 279). ​After Ricketts' death in 1948, Steinbeck dropped the species catalogue from the earlier 'The Sea of Cortez' and republished it with a eulogy to his friend added as an afterword.
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  Echolocation (Part one)

  In the spring of 1940, Steinbeck and his very close friend, biologist Ed Ricketts, chartered a boat and embarked on a month long marine specimen-collecting expedition in the Gulf of California, which resulted in their collaboration on a book, 'The Sea of Cortez'. Described as both a travelogue and biological record, it reveals the two men's philosophies: it dwells on the place of humans in the environment, the interconnection between single organisms and the larger ecosystem, and the themes of leaving and returning home. A number of ecological concerns, rare in 1940, are voiced, such as an imagined but horrific vision of the long term damage that the Japanese bottom fishing trawlers are doing to the sea bed. Although written as if it were the journal kept by Steinbeck during the voyage, the book is to some extent a work of fiction: the journals are not Steinbeck's, and his wife, who had accompanied him on the trip, is not mentioned (though at one point Steinbeck slips and mentions the matter of food for seven people). Since returning home is a theme throughout the narrative, the inclusion of his wife, a symbol of home, would have dissipated the effect. Steinbeck and Ricketts are never mentioned by name but are amalgamated into the first person "we" who narrate the log.
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  Echolocation (Part two)

  "In Steinbeck’s 'Of Mice and Men', Crooks consoles the simple, unaffected and kindly Lennie when his friend, George, doesn’t return from town. He tells him he should be glad that he at least has someone. 'S’pose you didn’t have nobody. S’pose you couldn’t get into the bunk-house and play rummy ‘cause you was black. How’d you like that? (…) A guy sits alone out here at night, maybe readin’ books or thinkin’ or stuff like that. Sometimes he gets thinkin’ an’ he got nothing to tell him what’s so an’ what ain’t so. Maybe if he sees somethin’, he don’t know whether it’s right or not. He can’t turn to some other guy and ast him if he sees it too. He can’t tell. He got nothing to measure by. I seen things out here. I wasn’t drunk. I don’t know if I was asleep. If some guy was with me, he could tell me I was asleep, an’ then it would be alright. But I jus’ don’t know' "(Steinbeck 1973:62 in Liebenberg 2011: 102).