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  • The Hunting of the Snark

    "The Hunting of the Snark offers a timely caution for geographical investigation. The danger, both academic and pragmatic, of enslavement to static conceptual categories, rigid classifications, and established methodological procedures is simply that they tend to rule out the possibility of experiencing that insight and understanding which can be neither discovered, formulated nor communicated by adherence to traditional investigative methdologies. This is not to advocate an un-methodical and irrational geographical philosophy, but rather to suggest that there may be conditions under which slavish adherence to a tried and tested methodology may fail to provide reliable guidance in our search for understanding. A lack of commitment to open-ended investigation could mean that, because our methods are inappropriate, our explorations will forever remain, so to speak, 'snarked' ".
  • Ocean Chart

    "He had bought a large map representing the sea, Without the least vestige of land: And the crew were much pleased when they found it to be A map they could all understand".
  • Vatnajökull (the sound of)

    A live phone line was created to an Icelandic glacier, via an underwater microphone submerged in Jökulsárlón lagoon, an outlet of Vatnajökull. The number 07757001122 could be called from any telephone in the world, and the listener would hear the sound of the glacier melting.
  • Prrrip-Prrrip, Tseeeep!: the silence of birds’ eggs

    "Birds are highly vocal creatures, their songs sound everyday in almost every habitat, even our concrete cities. These calls have been likened to the human capacity for speech, yet the faculty of language has, for most of history, been described as solely ‘human.’ Language forms one of several traits deployed to uphold the constructed divide between human and non-human animals. Oology – the collecting and documenting of wild bird eggs – was an obscure hobby and ‘science’ of the past. Collected eggs were pierced and ‘blown’ of their contents. The perfect shells, beautifully coloured with speckles and intricate patterns, were then placed in vast cabinet collections. Such a birds’ egg collection, collected in Southern Africa during the last half of the 20th century, forms the starting point of this exhibition. Through exploring language and communication in birds, this exhibition aims to create an affective environment for re-evaluating the collecting practices of the past (with its ties to the Euro-Western, human-centered perspective), and for re-imagining current natural history collections. It also aims to … poo-too-eee poo-too-eee, pa-chip-chip-chip per chick-a-ree. Ka-ha, ka-ha, kuh-uk-uk-uk! caw-caw-caw-caw-koodle-yah, loooooo-eee! Pa-chip-chip-chip, per-chick-a-ree!" Wall text of exhibition, Prrrip-Prrrip, Tseeeep!: the silence of birds’ eggs
  • The Eagle has landed (Apollo 11 Lunar Module Ascent Stage Photographed from Command Module)

    The Apollo 11 Lunar Module ascent stage, with Astronauts Neil A. Armstrong and Edwin E. Aldrin Jr. aboard, is photographed from the Command and Service Modules (CSM) during rendezvous in lunar orbit. The Lunar Module (LM) was making its docking approach to the CSM. Astronaut Michael Collins remained with the CSM in lunar orbit while the other two crewmen explored the lunar surface. The large, dark-colored area in the background is Smyth's Sea, centered at 85 degrees east longitude and 2 degrees south latitude on the lunar surface (nearside). This view looks west. The Earth rises above the lunar horizon.
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