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  • The Mother of all Firewalls

    'The Mother of all Firewalls' (2012), is a sculptural piece by Kim Gurney made from beeswax, gold glitter, bitumen, repurposed tiles, rabbit skin and glue, which seems to depict an EEG graph in its format but in reality references a graph plotted by Google Insights after Gurney inputted a range of new words that emerged from the ‘Eurogeddon’ of 2012, showing their incidence in news reports pertaining to this financial crisis between 2008 and 2012.
  • BWC Cape Town premises

    "When Burroughs died of pneumonia in 1895, Wellcome became BWC’s sole owner, and the next 20 years (until the outbreak of World War I) constituted a period of massive expansion for the company (Bailey 2008: online). In 1898, the first overseas branch opened in Sydney and was followed by seven more branches – in New York, Montreal, Buenos Aires, Cape Town, Milan, Shanghai and Bombay – by 1912. The Cape Town branch opened in 1902, seven years after Wellcome made his first visit to the city in 1895" (Liebenberg 2021: 49 - 51).
  • BWC Cape Town premises (drawing)

    Line drawing of the Burroughs Wellcome & Co. office, Cape Town, South Africa.
  • Corrections

    Examples of Wellcome's design changes annotated on tracing paper. 1914–1938. WF/M/I/PR/O01/3, 4, 9, 8. Wellcome Collection.
  • Silver Particle / Bronze (After Henry Moore).

    "In Simon Starling’s work, inanimate objects are activated in various ways, especially when their political or economic history is revealed or when their materiality becomes an embodiment of something discovered during his research. His work enables and celebrates diverse interpretations of objects in many instances, as Greenblatt (1991) notes when referring to artistic and curatorial activity, deflecting attention away from the object onto the systems that gave rise to it in the first place. Starling conducts a close inspection of his objects, usually following a web of connections across the globe and across history, which in many of his works lead him back to the starting point; a vintage photograph of a Henry Moore sculpture leads to the production of a bronze sculpture based on the shape of a single enlarged silver particle that makes up the photograph and which, when converted into a sculpture, resembles the biomorphic shapes that served as inspiration for the Moore sculpture in the original vintage photograph ('Silver particle/bronze (after Henry Moore)', 2008). The machinations of its history somehow lost in the image when seen in the museum archive come back into play through the translations and reconstructions encountered in the detour and are materialised in the exhibition format" (Liebenberg 2021: 26 - 28).
  • Ma

    The Japanese have a word, ‘ma’, for this interval which gives shape to the whole – this ‘gap’, ‘opening’, ‘space between’ or ‘time between’. Ma is not something that is created by compositional elements, rather it can be understood as the thing that takes place in the imagination of the human who experiences these elements. A room, for example, is called 'ma', as it refers to the space between the walls. Or a rest in music, which indicates a pause between the notes or sounds (Pilgrim 1986: 255).
  • Wave

    Screengrab of an image search, typing in 'third wave'
  • Where their lives took on true weight

    In Alice Munro's short story 'Post and Beam', the two protagonists return home from a short vacation: "Up Capilano Road, into their own part of the city and their own corner of the world, where their lives took on true weight and their actions took on consequences. There were the uncompromising wooden walls of their house, showing through the trees" (Munro 2001: 212).
  • House

    Lokrete with metal armature Grove Road, London, E3 (Destroyed 11 January 1994)
  • The South African College

    “UCT was founded in 1829 as the South African College, a high school for boys. ​ The College had a small tertiary-education facility that grew substantially after 1880, when the discovery of gold and diamonds in the north – and the resulting demand for skills in mining – gave it the financial boost it needed to grow. ​ The College developed into a fully fledged university during the period 1880 to 1900, thanks to increased funding from private sources and the government. ​ During these years, the College built its first dedicated science laboratories, and started the departments of mineralogy and geology to meet the need for skilled personnel in the country's emerging diamond and gold-mining industries” (University of Cape Town 2021).
  • The broken tulip

    "During the period known as tulipmania which transpired in the Netherlands during the 17th century, contract prices for bulbs of the recently introduced tulip reached extraordinarily high levels and then suddenly collapsed. Tulips that displayed a break in their colour reached prices far higher than those that didn’t. It wasn’t until 1920, after the invention of the electron microscope, that scientists discovered that the cause for this symphony of colour was a virus that spread from tulip to tulip by Myzus persicae, the peach potato aphid. ​Michael Pollan in The Botany of Desire, explains this phenomenon: “The colour of a tulip consists of two pigments working in concert — a base colour that is always yellow or white and a second, laid-on colour called an anthocyanin; the mix of these two hues determining the unitary colour we see. The virus works by partially and irregularly suppressing the anthocyanin, thereby allowing a portion of the underlying colour to show through — creating the magic of the broken tulip. A fact that, as soon as it was discovered, doomed the beauty it had made possible" (Pollan 2003: 97 in Liebenberg 2011: 92).
  • Semper Augustus Tulip

    ​Photo of Semper Augustus watercolour, captured whilst perusing the Pera Museum, Istanbul, 2013
  • Seeds of Change

    "'Seeds of Change' is an ongoing investigation based on original research of ballast flora in the port cities of Europe. Projects have been developed for Marseilles, Reposaari, Dunkirk, Exeter and Topsham, Liverpool and Bristol. Material such as stones, earth, sand, wood, bricks and whatever else was economically expedient was used as ballast to stabilize merchant sailing ships according to the weight of the cargo. Upon arrival in port, the ballast was unloaded, carrying with it seeds native to the area where it had been collected. The source of these seeds can be any of the ports and regions (and their regional trading partners) involved in trade with Europe. ​The botanist, Dr. Heli Jutila, an expert on ballast flora writes, 'Although seeds seem to be dead, they are in fact alive and can remain vital in soil for decades, and even hundreds of years in a state of dormancy'. Seeds contained in ballast soil may germinate and grow, potentially bearing witness to a far more complex narrative of world history than is usually presented by orthodox accounts" (Alves 2021).
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