The Medicine Chest

Items

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  Breath of a Physicist

  William Blake, 1794, Ancient of Days Inscription: "In his hand, he took the Golden Compasses, prepared in Gods Eternal stone, to circumscribe This Universe, and all created things One foot he center'd, and the other turn'd Round through the vast profundity obscure, And said, thus farr extend, thus far thy bounds, This be thy just circumference, O World" "In the process of realising this work, [Cornelia] Parker facilitated the collaboration of scientists from the physics department with those from its art gallery. She also drew attention to the scientific qualities of the artwork and, through the performative act of igniting a firework display, the symbolism of scientific discovery" (Liebenberg 2021: 31).
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  Intersections

  "In recent years, particular interest has been directed at the resulting cross-pollinations and hybridities in the treatment of illness and disease that developed during the colonial and precolonial period from this heterogenous mix of cultures. Karen Flint’s 'Healing Traditions' (2008) and Digby’s 'Diversity and Division in Medicine' (2006) suggest that a complex structure of complementarity existed in which overlapping forms of health care had permeable and shifting boundaries (Digby 2006: 33; Flint 2008:7) illustrated perhaps most succinctly in the particularly porous field of botanical medicine, which almost all cultures utilised in their treatments to some extent" (Liebenberg 2021: x).
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  Touching both walls at the same time

  As a young sculptor working in the 1960s, Horn suffered severe lung damage from working with fiberglass and polyester, and spent long periods convalescing in hospital. Whilst restricted to her hospital bed, Horn devised a series of wearable sculptures or 'body extensions' which she would later make using cloth, wood, bandages, belts, feathers, and found objects. Her masks and extensions contain, constrain, and/or elongate the bodies of their wearers.
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  "I've decided to stop pitying myself"

  “Her purse is half open, and I see a hotel room key, a metro ticket, and a hundred-franc note folded in four, like objects brought back by a space probe sent to earth to study how earthlings live, travel, and trade with one another. The sight leaves me pensive and confused. Does the cosmos contain keys for opening up my diving bell? A subway line with no terminus? A currency strong enough to buy my freedom back? We must keep looking. I'll be off now". An extract from Jean-Dominique Bauby's 'The Diving Bell and the Butterfly', the memoir which he dictated after suffering a stroke in 1995. The stroke rendered him mute and almost completely paralyzed, except for the movement of his left eyelid. Bauby dictated his memoir through blinking as his speech therapist listed the letters of the alphabet. When his doctor told him his prognosis, he mentioned that in the past , he would have simply died from this type of stroke, but that improved resuscitation techniques had now prolonged and refined the agony of this condition: "You survive, but you survive with what is so aptly known as 'locked-in syndrome'”.
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  Touching both walls at the same time

  As a young sculptor working in the 1960s, Horn suffered severe lung damage from working with fiberglass and polyester, and spent long periods convalescing in hospital. Whilst restricted to her hospital bed, Horn devised a series of wearable sculptures or 'body extensions' which she would later make using cloth, wood, bandages, belts, feathers, and found objects. Her masks and extensions contain, constrain, and/or elongate the bodies of their wearers.