Items

Advanced search

'Do you think women could be heartsurgens?'

Dear Dr Barnard, I am ten years old. How old are you? I like your heart transplants. When is going to be the next heart transplant? I am a girl. I have two sisters and three brothers. Its too bad I can't see you in person. I live at 2326 Charles St. now. I am moving in 1 day. I will live at 3610 Denny Lane, Franksville, Wisconsin. My name is Sheri Lee Fors. If you have time please write back. Will you please send me your address. Love, Sheri Fors. P.S. Do you think women could be heartsurgens?
The Brown Dog Affair (1903 - 1910)

On Feb. 2, 1903, English physicians William Bayliss and Ernest Starling, gave a lecture on the digestive system to a theatre full of medical students. Also in attendance were Lizzy Lind af Hageby and Leisa Schartau, committed feminists and anti-vivisectionists. They had travelled from Sweden to enrol at the London School of Medicine for Women, attend lectures around town, and document the practice of vivisection in British universities. During the lecture, a brown terrier was wheeled out, strapped to a board. Starling had already performed one experiment on the dog two months earlier, shutting off its pancreas. This time, Bayliss cut open the dog’s neck and spent half an hour unsuccessfully trying to stimulate the animal’s salivary glands with electrodes. Eventually, he gave up and handed the dog over to a student (Henry Dale, another future Nobel laureate) who stabbed it through the heart, thus ending the lesson. What followed was a court case filed by Stephen Coleridge, a prominent barrister and secretary of the National Anti-Vivisection Society against Bayliss. After four days of testimony, the judge called the women’s account “hysterical” while giving instructions to the jury. The jurors conferred for 20 minutes, then found Coleridge guilty of libel. Anti-vivisectionists commissioned a bronze statue of the dog as a memorial, unveiled in Battersea in 1906. Its plague, which read "Men and women of England, how long shall these Things be?" led to the it being vandalised on a frequent basis. On 10 December 1907, hundreds of medical students marched through central London waving effigies of the brown dog on sticks, clashing with suffragettes, trade unionists and 300 police officers, one of a series of battles known as the ‘Brown Dog’ riots. In March 1910, tired of the controversy, Battersea Council sent four workers accompanied by 120 police officers to remove the statue under cover of darkness, after which it was reportedly melted down by the council's blacksmith.
A beating heart

"Dear Doctor Barnard I am an 11 year old girl, and I have a problem: I went fishing today; when we came back, my parents cleaned the fish, and after they took out the insides, they found a heart of a fish beating, but the fish was dead and cut up. It was still beating for about 1/2 an hour. Can you explain that? I am very interested in biology, and so is everyone else in my family. Sincerely Yours, Lillian Levy P.S. I know you are a very busy man, but, if you have enough time, please try to answer. THANK YOU! P.P.S. If a doctor says you're dead and they take out your heart but it is still beating, are you dead or alive?" Transcribed letter from the Heart of Cape Town Museum
A perfect day for bananafish

Extract from J.D. Salinger's 'For Esmé - With Love and Squalor' in which Seymour Glass interacts with a young girl while swimming in the ocean on holiday. “Miss Carpenter. Please. I know my business,” the young man said. “You just keep your eyes open for any bananafish. This is a perfect day for bananafish.” “I don’t see any,” Sybil said. “That’s understandable. Their habits are very peculiar.” He kept pushing the float. The water was not quite up to his chest. “They lead a very tragic life,” he said. “You know what they do, Sybil?” She shook her head. “Well, they swim into a hole where there’s a lot of bananas. They’re very ordinary-looking fish when they swim in. But once they get in, they behave like pigs. Why, I’ve known some bananafish to swim into a banana hole and eat as many as seventy-eight bananas.” He edged the float and its passenger a foot closer to the horizon. “Naturally, after that they’re so fat they can’t get out of the hole again. Can’t fit through the door.” “Not too far out,” Sybil said. “What happens to them?” “What happens to who?” “The bananafish.” “Oh, you mean after they eat so many bananas they can’t get out of the banana hole?” “Yes,” said Sybil. “Well, I hate to tell you, Sybil. They die.” “Why?” asked Sybil. “Well, they get banana fever. It’s a terrible disease.” “Here comes a wave,” Sybil said nervously. “We’ll ignore it. We’ll snub it,” said the young man. “Two snobs.” He took Sybil’s ankles in his hands and pressed down and forward. The float nosed over the top of the wave. The water soaked Sybil’s blond hair, but her scream was full of pleasure. With her hand, when the float was level again, she wiped away a flat, wet band of hair from her eyes, and reported, “I just saw one.” “Saw what, my love?” “A bananafish.” “My God, no!” said the young man. “Did he have any bananas in his mouth?” “Yes,” said Sybil. “Six.” The young man suddenly picked up one of Sybil’s wet feet, which were drooping over the end of the float, and kissed the arch. “Hey!” said the owner of the foot, turning around. “Hey, yourself! We’re going in now. You had enough?” “No!” “Sorry,” he said, and pushed the float toward shore until Sybil got off it. He carried it the rest of the way. (Salinger 1986: 20-21).
Echolocation (Part one)

In the spring of 1940, Steinbeck and his very close friend, biologist Ed Ricketts, chartered a boat and embarked on a month long marine specimen-collecting expedition in the Gulf of California, which resulted in their collaboration on a book, 'The Sea of Cortez'. Described as both a travelogue and biological record, it reveals the two men's philosophies: it dwells on the place of humans in the environment, the interconnection between single organisms and the larger ecosystem, and the themes of leaving and returning home. A number of ecological concerns, rare in 1940, are voiced, such as an imagined but horrific vision of the long term damage that the Japanese bottom fishing trawlers are doing to the sea bed. Although written as if it were the journal kept by Steinbeck during the voyage, the book is to some extent a work of fiction: the journals are not Steinbeck's, and his wife, who had accompanied him on the trip, is not mentioned (though at one point Steinbeck slips and mentions the matter of food for seven people). Since returning home is a theme throughout the narrative, the inclusion of his wife, a symbol of home, would have dissipated the effect. Steinbeck and Ricketts are never mentioned by name but are amalgamated into the first person "we" who narrate the log.
Melchior & Cousteau

In 1963 Simone Melchior became the world's first female aquanaut by living in Starfish House, an underwater habitat, for the final four days of the Conshelf II project. Although never visible in the 'Undersea World of Jacques Cousteau' series, Cousteau's wife and business partner played a key role in the operation at sea. She was the acting mother, healer, nurse and psychiatrist to the all-male crew for 40 years. Cousteau describes her as being "happiest out of camera range, in the crow’s nest of the Calypso (...), scanning the sea for whales". Her father, Henri Melchior, was director of Air Liquide (France’s main producer of industrial gases at the time) and funded the invention of the aqua lung and the scuba diving apparatus we know today.
Mary Anning

Henry De la Beche's portrait of Mary Anning, the English fossil collector, dealer, and palaeontologist who became known around the world for finds she made in the cliffs along the English Channel at Lyme Regis. These cliffs consisted of alternating layers of limestone and shale, laid down as sediment on a shallow seabed early in the Jurassic period (about 210 - 195 million years ago). As a woman, Anning was treated as an outsider to the scientific community. The increasingly influential Geological Society of London did not allow women to become members, or even to attend meetings as guests.
Woman, woman, let go of me

In the chapter he titled, 'When Wendy Grew Up', J.M. Barrie recalls how Wendy tried, for Peter’s sake, not to have growing pains – and how she even felt untrue to him when she got the prize for general knowledge. But the years came and went without bringing the careless boy and Wendy eventually grew up and got married. If you feel sorry for her, don’t. Barrie tells us that Wendy was the kind of girl that liked growing up and that in the end, “ she grew up of her own free will a day quicker than other girls” (1989:182). All grown up with a daughter of her own, Peter visits her again one night while she’s sitting in front of the fire, darning. She hears the crow call and the window blows open as of old, Peter dropping to the floor – looking exactly the same as ever. “He was a little boy, and she was grown up. She huddled by the fire not daring to move, helpless and guilty, a big woman. ‘Hallo, Wendy,’ he said, not noticing any difference, for he was thinking chiefly of himself; and in the dim light her dress might have been the nightgown in which he had seen her first. ‘Hallo, Peter,’ she replied faintly, squeezing herself as small as possible. Something inside her was crying, ‘Woman, woman, let go of me’” (1989: 185 - 186).
Dis-Location/Re-Location

Farber's research examines themes of adaptation to new surroundings and circumstances through the real-life persona of Bertha Guttmann, a Jewish woman brought to South Africa from Sheffield in 1885 at the age of 22. She entered into an arranged marriage with Sammy Marks, who rose from being a peddler to one of the old Transvaal Republic’s leading industrialists. They lived in a beautiful home, now a museum, called Zwartkoppies, east of Pretoria. "Rather, from the initial cut, she inserts a seedling aloe into her flesh, delicately ‘planting’ the indigenous South African succulent into her forearm. This action represents a physical grafting of an alien botanical life form into the “lily-white corpus of Europe” (Ord 2008:106)" (Farber 2012: 35). Bertha Marks’s construction of the formal English rose garden on the ‘moral wastes’ of the Highveld could be recognised as part of a broader colonial project to ‘civilise’ the ‘barbaric’ African land. The road leading to the eastern gate of Zwartkoppies is lined with Eucalyptus trees planted by Sammy Marks. Rather as in his wife’s attempt to create her formal rose garden in her new surroundings and in so doing to ‘tame’ nature, Sammy Marks embarked on an ambitious campaign to “reclaim” and “green” Zwartkoppies, “creating a civilised landscape out of what his secretary called a wilderness” (Mendelsohn 1991:104). Thousands of trees were planted, mainly exotic varieties such as pines and blue gums, as well as orchards and vineyards (Mendelsohn 1991:104)" (Farber 2012: 58)
Modest_ Witness@Second _Millenium

Boyle's 'New Experiments Physico-Mechanical Touching the Spring of the Air', which describes experiments with an air-pump, recounts a demonstration attended by high-born women at which small birds were suffocated by the evacuation of the chamber in which the animals were held. Since the ladies interrupted the experiments by demanding that air be let in to rescue a struggling bird, Boyle reported that “to avoid such difficulties, the men later assembled at night to conduct the procedure and attest to the results” (Haraway 2004: 232).
Heart of Cape Town Museum

"Dear Dr Chris, please tell me how to do a heart transplant". I want to do it to two birds that I have caught. My brother and father own the ELIM Butchery Strand.
Earhart's pilot license #6017 photo
Amelia

"We are on the line 157 337. We will repeat this message. We will repeat this on 6210 kilocycles. Wait." On July 2, 1937 Model 10 Electra 1055 piloted by Amelia Earhart with navigator Fred Noonan took off from Lae Airfield, New Guinea and was never seen again. Earhart's last radio message was estimated to be within 200 miles of her destination Howland Island. Burn holes made with a magnifying glass on a handkerchief which corresponds to the positioning of the stars as observed from the place, date and time Amelia Earhart sent her last broadcast.
Amelia (detail)

"We are on the line 157 337. We will repeat this message. We will repeat this on 6210 kilocycles. Wait." On July 2, 1937 Model 10 Electra 1055 piloted by Amelia Earhart with navigator Fred Noonan took off from Lae Airfield, New Guinea and was never seen again. Earhart's last radio message was estimated to be within 200 miles of her destination Howland Island. Burn holes made with a magnifying glass on a handkerchief which corresponds to the positioning of the stars as observed from the place, date and time Amelia Earhart sent her last broadcast.
Murmeration

A short film that follows the journey of two girls in a canoe on the River Shannon and how they stumble across one of nature's greatest phenomenons; a murmuration of starlings.
Crows on the playground (The Birds)

Melanie (Tippi Hedren) smokes as flocks of crows quietly gather on the school playground behind her.