Items · The Medicine Chest

Rede de elásticos (Elastic Net)

The Brazilian artist Lygia Clark (1920-1988) produced relational objects to be inhabited and activated by groups of people. Her net made up of elastic bands attached to each other, allows a complex structure, a complex grid, inviting a choreographed dance between strangers as they play with it by pushing and pulling these bands.

Stevenson's fishing gear

A label accompanying Robert Louis Stevenson's fishing gear.

A beating heart

"Dear Doctor Barnard I am an 11 year old girl, and I have a problem: I went fishing today; when we came back, my parents cleaned the fish, and after they took out the insides, they found a heart of a fish beating, but the fish was dead and cut up. It was still beating for about 1/2 an hour. Can you explain that? I am very interested in biology, and so is everyone else in my family. Sincerely Yours, Lillian Levy P.S. I know you are a very busy man, but, if you have enough time, please try to answer. THANK YOU! P.P.S. If a doctor says you're dead and they take out your heart but it is still beating, are you dead or alive?" Transcribed letter from the Heart of Cape Town Museum

Coda

Metronome, fishing hook, sinker, crimp and laboratory clamp. The fishing sinker supplies a counter weight, which allows ticking to continue even though the metronome is suspended upside down. The weight is however, exercising a force which will inevitably exhaust the metronome spring, causing it to cease functioning.

A perfect day for bananafish

Extract from J.D. Salinger's 'For Esmé - With Love and Squalor' in which Seymour Glass interacts with a young girl while swimming in the ocean on holiday. “Miss Carpenter. Please. I know my business,” the young man said. “You just keep your eyes open for any bananafish. This is a perfect day for bananafish.” “I don’t see any,” Sybil said. “That’s understandable. Their habits are very peculiar.” He kept pushing the float. The water was not quite up to his chest. “They lead a very tragic life,” he said. “You know what they do, Sybil?” She shook her head. “Well, they swim into a hole where there’s a lot of bananas. They’re very ordinary-looking fish when they swim in. But once they get in, they behave like pigs. Why, I’ve known some bananafish to swim into a banana hole and eat as many as seventy-eight bananas.” He edged the float and its passenger a foot closer to the horizon. “Naturally, after that they’re so fat they can’t get out of the hole again. Can’t fit through the door.” “Not too far out,” Sybil said. “What happens to them?” “What happens to who?” “The bananafish.” “Oh, you mean after they eat so many bananas they can’t get out of the banana hole?” “Yes,” said Sybil. “Well, I hate to tell you, Sybil. They die.” “Why?” asked Sybil. “Well, they get banana fever. It’s a terrible disease.” “Here comes a wave,” Sybil said nervously. “We’ll ignore it. We’ll snub it,” said the young man. “Two snobs.” He took Sybil’s ankles in his hands and pressed down and forward. The float nosed over the top of the wave. The water soaked Sybil’s blond hair, but her scream was full of pleasure. With her hand, when the float was level again, she wiped away a flat, wet band of hair from her eyes, and reported, “I just saw one.” “Saw what, my love?” “A bananafish.” “My God, no!” said the young man. “Did he have any bananas in his mouth?” “Yes,” said Sybil. “Six.” The young man suddenly picked up one of Sybil’s wet feet, which were drooping over the end of the float, and kissed the arch. “Hey!” said the owner of the foot, turning around. “Hey, yourself! We’re going in now. You had enough?” “No!” “Sorry,” he said, and pushed the float toward shore until Sybil got off it. He carried it the rest of the way. (Salinger 1986: 20-21).

Echolocation (Part one)

In the spring of 1940, Steinbeck and his very close friend, biologist Ed Ricketts, chartered a boat and embarked on a month long marine specimen-collecting expedition in the Gulf of California, which resulted in their collaboration on a book, 'The Sea of Cortez'. Described as both a travelogue and biological record, it reveals the two men's philosophies: it dwells on the place of humans in the environment, the interconnection between single organisms and the larger ecosystem, and the themes of leaving and returning home. A number of ecological concerns, rare in 1940, are voiced, such as an imagined but horrific vision of the long term damage that the Japanese bottom fishing trawlers are doing to the sea bed. Although written as if it were the journal kept by Steinbeck during the voyage, the book is to some extent a work of fiction: the journals are not Steinbeck's, and his wife, who had accompanied him on the trip, is not mentioned (though at one point Steinbeck slips and mentions the matter of food for seven people). Since returning home is a theme throughout the narrative, the inclusion of his wife, a symbol of home, would have dissipated the effect. Steinbeck and Ricketts are never mentioned by name but are amalgamated into the first person "we" who narrate the log.

The Memory of Water

"Of the cases used during Stanley's famous travels, the "Rear Guard" 'Tabloid' Medicine Chest is worthy of special mention. The chest remained in the swamp regions of the Aruwhimi for nearly four years, and more than once was actually submerged in the river. Notwithstanding these mishaps, when the chest was brought back to London and the remaining contents tested by the Official Analyst of the Lancet, they were found to have retained their efficacy "(BWC 1934: 5).

The Memory of Water

Of the cases used during Stanley's famous travels, the Rear Guard 'Tabloid' Medicine Chest is worthy of special mention. The chest remained in the swamp regions of the Aruwhimi for nearly four years, and more than once was actually submerged in the river. Notwithstanding these mishaps, when the chest was brought back to London and the remaining contents tested by the Official Analyst of the Lancet, they were found to have retained their efficacy (BWC 1934: 5).