Items · The Medicine Chest

Dialogue goggles

Rede de elásticos (Elastic Net)

The Brazilian artist Lygia Clark (1920-1988) produced relational objects to be inhabited and activated by groups of people. Her net made up of elastic bands attached to each other, allows a complex structure, a complex grid, inviting a choreographed dance between strangers as they play with it by pushing and pulling these bands.

Wednesday, 1 April 2020

Marseille, France: A resident of a block of flats is passed food by his neighbours using a rope made of blankets.

Moor

Installation. Material provided by family and friends. As of 08/18/2009, Moor is 326.9 feet long (99.63 meters). Moor will continue to grow.

Moor

Installation. Material provided by family and friends. As of 08/18/2009, Moor is 326.9 feet long (99.63 meters). Moor will continue to grow.

“I am just going outside and may be some time"

After initially making good progress, Terra Nova expedition party’s prospects steadily worsened as they struggled northward. Deteriorating weather, frostbite, snow blindness, hunger and exhaustion led to Edgar Evans dying on 17 February and Lawrence Oates, whose condition was aggravated by an old war-wound to the extent that he was barely able to walk, voluntarily leaving his tent on 16 March and walking to his death. (“I am just going outside and may be some time".)" (Liebenberg 2011: 75).

A letter to Barrie

My dear Barrie, We are pegging out in a very comfortless spot. Hoping this letter may be found and sent to you, I write a word of farewell.... More practically I want you to help my widow and my boy – your godson. (...) I am not at all afraid of the end, but sad to miss many a humble pleasure which I had planned for the future on our long marches. I may not have proved a great explorer, but we have done the greatest march ever made and come very near to great success. Goodbye, my dear friend. Yours ever, R. Scott. (Excerpt from letter penned by Scott to Barrie on 29 March 1912)

Echolocation (Part one)

In the spring of 1940, Steinbeck and his very close friend, biologist Ed Ricketts, chartered a boat and embarked on a month long marine specimen-collecting expedition in the Gulf of California, which resulted in their collaboration on a book, 'The Sea of Cortez'. Described as both a travelogue and biological record, it reveals the two men's philosophies: it dwells on the place of humans in the environment, the interconnection between single organisms and the larger ecosystem, and the themes of leaving and returning home. A number of ecological concerns, rare in 1940, are voiced, such as an imagined but horrific vision of the long term damage that the Japanese bottom fishing trawlers are doing to the sea bed. Although written as if it were the journal kept by Steinbeck during the voyage, the book is to some extent a work of fiction: the journals are not Steinbeck's, and his wife, who had accompanied him on the trip, is not mentioned (though at one point Steinbeck slips and mentions the matter of food for seven people). Since returning home is a theme throughout the narrative, the inclusion of his wife, a symbol of home, would have dissipated the effect. Steinbeck and Ricketts are never mentioned by name but are amalgamated into the first person "we" who narrate the log.

Echolocation (Part two)

"In Steinbeck’s 'Of Mice and Men', Crooks consoles the simple, unaffected and kindly Lennie when his friend, George, doesn’t return from town. He tells him he should be glad that he at least has someone. 'S’pose you didn’t have nobody. S’pose you couldn’t get into the bunk-house and play rummy ‘cause you was black. How’d you like that? (…) A guy sits alone out here at night, maybe readin’ books or thinkin’ or stuff like that. Sometimes he gets thinkin’ an’ he got nothing to tell him what’s so an’ what ain’t so. Maybe if he sees somethin’, he don’t know whether it’s right or not. He can’t turn to some other guy and ast him if he sees it too. He can’t tell. He got nothing to measure by. I seen things out here. I wasn’t drunk. I don’t know if I was asleep. If some guy was with me, he could tell me I was asleep, an’ then it would be alright. But I jus’ don’t know' "(Steinbeck 1973:62 in Liebenberg 2011: 102).

"I have scars on my hands from touching certain people"

"The words of Seymour Glass, eldest sibling of the Glass family – a lesser known creation of J.D. Salinger’s literary world. The story of this family of child geniuses, who appeared on a 1927 radio quiz show called 'It’s a Wise Child', is chronicled in three of his books – mostly centering on the relationship between the two eldest brothers, Buddy and Seymour. Salinger favours Seymour. He was the most brilliant and idiosyncratic of all the children and unfortunately, for the most part, only present as a memory – since he committed suicide, age 31. Buddy reminisces about one specific Seymour moment: His mother urging him to see a psychiatrist and him telling her that he doesn’t need a head doctor – he needs a hand doctor or a dermatologist, whereupon he looks at his hands and tells her he has these scars – these discolourations on them – from touching certain people. Certain heads, certain colours and textures of human hair leave permanent marks on him. When he put his hand on his little sister Franny’s head when she was still in the carriage, it left a mark. Or with her twin brother, Zooey, when he was six or seven, during a spooky movie. He put his hand on Zooey’s head when he went under the seat to avoid watching a scary scene. It left a mark. Other things, too. Charlotte, the girl he was in love with, tried to run away from him once and he grabbed her dress. It left a permanent lemon-yellow mark on the palm of his right-hand (Salinger 1964:59). His hands were filled with these discolourations – these physical manifestations of his emotions. They became a type of medical condition. And he needed to cure it" (Liebenberg 2011: 91 - 93). Salinger recounts the day of Seymour's suicide in a short story he later wrote, called 'A Perfect Day for Bananafish'.

L’Ellipse

In the triple–screen projection 'L’Ellipse' (1998), Pierre Huyghe slowed a jump cut from Wim Wenders’s 1977 film 'The American Friend' and expanded it by adding his own footage of the film’s leading man, Bruno Ganz, now older, acting out a scene that the film itself skips – a walk across a city, from one apartment to another, between important phone calls.

Museum of Natural History Oxford

On a sunny afternoon, July 4th 1862, an Oxford don took out four friends, for a rowing expedition up the Thames. The don was the Oxford mathematician, photographer and storyteller, Charles Dodgeson (better known by his pen name, Lewis Carroll) and his friends were the Rev. Robinson Duckworth and three children – Alice Liddell, aged 10, and her sisters. During the afternoon Dodgeson spun out a series of fantastic yarns incorporating friends and familiar places in Oxford, mathematical riddles, literary allusions and countless references to natural history.

"I wonder if it remembers me..."

In Wes Anderson’s 2004 film, 'The Life Aquatic with Steve Zissou', Bill Murray plays the part of eccentric oceanographer, Steve Zissou. Zissou is both a parody of and homage to Jacques-Yves Cousteau, to whom the film is dedicated. The characters were inspired by The Great Gatsby and The Magnificent Ambersons, whilst the plot has been compared to Moby Dick. While filming a documentary, Steve’s partner Esteban du Plantier is eaten by a creature Zissou describes as a “Jaguar shark.” For his next project, Zissou orchestrates documenting the shark’s destruction.

The Jaguar Shark

In Wes Anderson’s 2004 film, 'The Life Aquatic with Steve Zissou', Bill Murray plays the part of eccentric oceanographer, Steve Zissou. Zissou is both a parody of and homage to Jacques-Yves Cousteau, to whom the film is dedicated. The characters were inspired by The Great Gatsby and The Magnificent Ambersons, whilst the plot has been compared to Moby Dick. While filming a documentary, Steve’s partner and close friend, Esteban du Plantier, is eaten by a creature Zissou describes as a “Jaguar shark.” For his next project, Zissou orchestrates documenting the shark’s destruction.

Resonance

Demonstration of sympathetic vibration using the optical (flame) microphone