The Medicine Chest

Items

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  The workshop

  "Held in the Department of Human Biology in the Division of Clinical Anatomy and Biological Anthropology, this collection consists of prepared specimens – both bottled and plastinated, anatomical models – and a skeletal repository used for research purposes. The materials are kept in three separate rooms, with the anatomical models in one, the prepared and plastinated specimens in another and the skeleton repository in its own room behind locked doors, viewable by appointment only. The room housing the anatomical models functioned as a workshop when modelmaking was still offered to first year medical students as an elective course: its walls are lined with shelves that display models made from materials ranging from papier-mâché to modern silicon copies and are taxonomised according to their anatomical representations, such as ‘the eye’, ‘head & neck’, ‘dentistry’, ‘embryology’, ‘lungs’ and ‘cardiovascular system’, to name a few. The models represent each anatomical section and are brightly coloured to differentiate the different parts of the human body and aid in identification. Many of the models can be dismantled into separate pieces and, like a puzzle, be reassembled into their original shapes. Interspersed with these models are rolled-up charts depicting organs, bodily systems and anatomical sections of the body in two-dimensional form, as well as old student modelling projects. A selection of animal skeletons is displayed on the far side of the room, and a shelf with a few anatomical specimens in formaldehyde is across from it" (Liebenberg 2021: 121 - 122).
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  "I have scars on my hands from touching certain people"

  "The words of Seymour Glass, eldest sibling of the Glass family – a lesser known creation of J.D. Salinger’s literary world. The story of this family of child geniuses, who appeared on a 1927 radio quiz show called 'It’s a Wise Child', is chronicled in three of his books – mostly centering on the relationship between the two eldest brothers, Buddy and Seymour. Salinger favours Seymour. He was the most brilliant and idiosyncratic of all the children and unfortunately, for the most part, only present as a memory – since he committed suicide, age 31. ​Buddy reminisces about one specific Seymour moment: His mother urging him to see a psychiatrist and him telling her that he doesn’t need a head doctor – he needs a hand doctor or a dermatologist, whereupon he looks at his hands and tells her he has these scars – these discolourations on them – from touching certain people. Certain heads, certain colours and textures of human hair leave permanent marks on him. When he put his hand on his little sister Franny’s head when she was still in the carriage, it left a mark. Or with her twin brother, Zooey, when he was six or seven, during a spooky movie. He put his hand on Zooey’s head when he went under the seat to avoid watching a scary scene. It left a mark. Other things, too. Charlotte, the girl he was in love with, tried to run away from him once and he grabbed her dress. It left a permanent lemon-yellow mark on the palm of his right-hand (Salinger 1964:59). His hands were filled with these discolourations – these physical manifestations of his emotions. They became a type of medical condition. And he needed to cure it" (Liebenberg 2011: 91 - 93). Salinger recounts the day of Seymour's suicide in a short story he later wrote, called 'A Perfect Day for Bananafish'.
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  Neck-support

  "Made from oak, the object was used to support the neck of an individual during post-mortem examinations conducted at the University of Cape Town’s mortuary unit. My first encounter with it was in Dr Yeats’s office in the Pathology Learning Centre, many years ago. Heavy in weight and invested with the traces of hundreds of individuals, it somehow seemed more representative of disease, than the 3500 specimens floating in formaldehyde displayed in the surrounding rooms " ( Liebenberg 2021: 257).