Items · The Medicine Chest

Page 135 of the Curiosity CLXXV catalogue

"Peering into one of them could, for instance, reveal musical instruments from the South African College of Music’s Kirby collection; old wooden mathematical models of abaci and polyhedrons from the Maths department; mobiles demonstrating platonic solids made by mechanical engineering students; publications by a UCT Professor of Astronomy; a sign pointing to ward D10 from the old section of Groote Schuur Hospital; glass slides once used as a teaching aid for art history at Michaelis; bird ringing material from the Avian Demography unit; and a bottle-brush plant labelled by the son of one of the curators" (Liebenberg 2021: 179).

Falling stars

Marine biologists studying whalesharks use the pattern-recognition technique, developed in 1986, that astronomers use to analyze data from the Hubble Space Telescope. Studying the spatial relationships between a whaleshark's spots form the basis for creating a unique identifier for each shark.

#165317 Dipsy

In 2015, Conservation International scientists in Indonesia attached satellite transmitters to the dorsal fins of whale sharks to learn more about their migratory movements and diving behavior. Dipsy, a 4.57-meter male, spent much of his 17-month deployment in Triton Bay but also visited the Aru and Kei Islands – one of our first Kaimana whale sharks to explore the Arafura Sea – before returning to Kaimana. He hit a maximum depth of 625 meters.

#165321 Yoda

In 2015, Conservation International scientists in Indonesia attached satellite transmitters to the dorsal fins of whale sharks to learn more about their migratory movements and diving behavior. Yoda had a lengthy 26-month deployment, spending all of that time in Cendrawasih Bay. The 4.83-meter male dove to a maximum depth of 1,375 meters, reaching the bottom of the bay at one of its deepest points.

#151097 Fijubeca

In 2015, Conservation International scientists in Indonesia attached satellite transmitters to the dorsal fins of whale sharks to learn more about their migratory movements and diving behavior. At just 3 meters in length (about 10 feet), Fijubeca logged an impressive 9,000 kilometers (5,592 miles) during his deployment. He visited eight of the Bird’s Head Seascape's marine protected areas (MPAs), reaffirming the placement of MPAs as related to megafauna migratory routes.

#168184 Sunbridge

In 2015, Conservation International scientists in Indonesia attached satellite transmitters to the dorsal fins of whale sharks to learn more about their migratory movements and diving behavior. Sunbridge was one of our first sharks tagged in Saleh Bay, Sumbawa, where he spent his entire 14-month deployment. Though this 6.23-meter male spent a fair bit of time on the surface, he frequently visited the bay's bottom at a maximum depth of 350 meters.

#165905 Sebastian

In 2015, Conservation International scientists in Indonesia attached satellite transmitters to the dorsal fins of whale sharks to learn more about their migratory movements and diving behavior. Sebastian spent most of his 27-month deployment in Cendrawasih Bay but also recorded a visit to the Mapia atoll and ventured past Biak into PNG coastal waters. He eventually returned to Cendrawasih, where his tag's battery expired, having logged a maximum dive of 1,125 meters.

Resonance (Greenblatt)

In 'Resonance and Wonder' Greenblatt discusses ‘resonant’ moments in regards to museum displays as “those in which the supposedly contextual objects take on a life of their own and make a claim that rivals that of the object that is formally privileged. A table, a chair, a map – often seemingly placed only to provide a decorative setting for a grand work – become oddly expressive, significant not as a background but as compelling representational practices in themselves. These practices may in turn impinge on the grand work, so that we begin to glimpse a kind of circulation: the cultural practice and social energy implicit in mapmaking is drawn into the aesthetic orbit of a painting, which has itself enabled us to register some of the representational significance of the map” (1991: 22- 23). For him a resonant exhibition often “pulls the viewer away from the celebration of isolated objects and toward a series of implied, only half-visible relationships and questions” (1991: 23).

Resonance

Image from page 137 of the 'Curiosity CLXXV' catalogue, describing resonance and its application in MRI technology.

Prisoners on a Projecting Platform

Etching from Giovanni Battista Piranesi's 'Carceri d'invenzione (Imaginary Prisons)' ca. 1749–50

The Pier with Chains

Etching from Giovanni Battista Piranesi's 'Carceri d'invenzione (Imaginary Prisons)' ca. 1749–50

The Drawbridge

Etching from Giovanni Battista Piranesi's 'Carceri d'invenzione (Imaginary Prisons)' ca. 1749-50

L’Ellipse

In the triple–screen projection 'L’Ellipse' (1998), Pierre Huyghe slowed a jump cut from Wim Wenders’s 1977 film 'The American Friend' and expanded it by adding his own footage of the film’s leading man, Bruno Ganz, now older, acting out a scene that the film itself skips – a walk across a city, from one apartment to another, between important phone calls.

Museum of Natural History Oxford

On a sunny afternoon, July 4th 1862, an Oxford don took out four friends, for a rowing expedition up the Thames. The don was the Oxford mathematician, photographer and storyteller, Charles Dodgeson (better known by his pen name, Lewis Carroll) and his friends were the Rev. Robinson Duckworth and three children – Alice Liddell, aged 10, and her sisters. During the afternoon Dodgeson spun out a series of fantastic yarns incorporating friends and familiar places in Oxford, mathematical riddles, literary allusions and countless references to natural history.