Items

Advanced search

Falling stars

Published in 1841, Jackson’s guide was the first of a series of guides published during this period which offered notes for the traveller on appropriate conduct in the field – from providing methods for training the eye to observe what was deemed as relevant details, to instructions on which precision instruments should be carried and how to use them to record and inscribe the results of observations made (Withers 2013: 170). As Jackson states, his guide pointed out to the “uninitiated Traveller what he [sic] should observe, and to remind the one who is well informed, of many objects which (…) might escape him” (Jackson 1841: i).
The body fluid

"We shed many skin cells – at a rate per hour it comes close to a million cells per day. New cells generated at the bottom of our layered epidermis push their way to the top, where they are weathered by the environment and our daily activities. As the living body breaks down, it becomes lodged in skin pores and clothing fibres. It is inhaled, irritates, is sneezed out and blown afar; it collects in corners, and gathers on surfaces. It welcomes company, joining with soil or, lifted by weather patterns, combines with volcanic eruptions, pollution and plant pollen, or with animal bodies, minerals, and even with burnt meteorite particles – all the while becoming increasingly microscopic and indistinct. The body, now fluid and divisible, transgresses boundaries. Transformed and nomadic, it inhabits spaces without detection. That is, until a ray of sunlight reveals drifting motes hovering in the air, or a missing shoe leads to the surprise discovery of a copulating fluffle of dust bunnies under the bed. In Gutspeak, these former remnants of ourselves are gathered by the artist Dominique Edwards from the tools used to seemingly eliminate them, and turned into sheets of paper. On closer inspection, these sheets reveal a multitude of its separate components: eyelashes, cosmetics, grains of sand, diminished chewing gum wrappers and pubic hair. There is also glitter. And a surprising amount of it. Are these cosmetic ingredients? Or...perhaps meteorite particles?"
The Tide Turns Installation

Tumble dryer lint
The Tide Turns Installation

Paper works made from new mops, used mops and tumble dryer lint. Sculptural installation consisting of one small intermittently rotating mop and one large continuously rotating mop.
Mop

Videos projected onto a floating screen
Einstein's abstracts

Cibachrome on aluminium. Microscopic magnification of Einstein’s equations from a blackboard that had been preserved in the History of Science Museum in Oxford
Donahue near-miss

An artwork purchased in 2015 from the Michaelis School of Fine Art Graduate Show, created by then student, Tess Metcalf.
Deductions from smooth rocks

Extract from Bettie Higgs's reading of rocks in 'Visual Practices Across the University'. Most of the rocks in this photograph are about 360 million years old, so the grains that comprise them are substantially older. The grains came originally from a mountain range, as large as the Himalayas, whose roots can still be seen in counties Mayo and Donegal, in the northwest of Ireland. The grains were carried south by rivers and deposited in this area; the smallest grains were carried all the way to the ocean, which was far south of Cork at the time, in what is now the Atlantic Ocean south of Ireland. (There was very little rainfall at the time: the portion of land that is now Cork was 10° south of the Equator. This can be deduced from the properties of the iron in the rock.) The water in which the grains were transported was oxygenated, and the iron precipitated out as iron oxide (haematite), which cemented the grains and which accounts for the red color (Elkins 2007: 74 - 78).
Breath of a Physicist

William Blake, 1794, Ancient of Days Inscription: "In his hand, he took the Golden Compasses, prepared in Gods Eternal stone, to circumscribe This Universe, and all created things One foot he center'd, and the other turn'd Round through the vast profundity obscure, And said, thus farr extend, thus far thy bounds, This be thy just circumference, O World" "In the process of realising this work, [Cornelia] Parker facilitated the collaboration of scientists from the physics department with those from its art gallery. She also drew attention to the scientific qualities of the artwork and, through the performative act of igniting a firework display, the symbolism of scientific discovery" (Liebenberg 2021: 31).
Graphene

"Parker formulated 'Breath of a physicist' while engaging with the academic communities of the University of Manchester in 2015. She worked closely with the scientists of the institution, most notably Kostya Novoselov, who, with Andre Geim, was awarded the Nobel Prize for the discovery of graphene – the world’s thinnest and strongest material. After being inspired by the discovery of a graphite drawing by William Blake ('The ancient of days') in the university’s art collection, Parker facilitated a collaboration between the gallery staff and Novoselov in which he sourced microscopic samples of graphite from the drawing, as well as graphite from drawings by Turner, Constable and Picasso and from a pencil-written letter by Sir Ernest Rutherford (who split the atom in Manchester), which all formed part of the university’s collections. Novoselov produced graphene from these samples, which Parker then used to make her own artwork and a ‘Blake-graphene sensor’, which was activated by the breath of a physicist (Novoselov) and set off a firework display, returning iron meteorite into the Manchester sky on the opening night" (Liebenberg 2021: 31).