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  • Years

    “On regular vinyl, there is this groove that represents however long the track is. There’s a physical representation of the length of the audio track that’s imprinted on the record. The year rings are very similar because it takes a very long time to actually grow this structure because it depends on which record you put on of those I made. It’s usually 30 to 60 or 70 years in that amount of space. It was really interesting for me to have this visual representation of time and then translate it back into a song which it wouldn’t originally be " (Traubeck 2012). This record features seven recordings from different Austrian trees. They were generated on the Years installation in Vienna, January 2012.
  • Mozart's Antimony

    Medical bedside cabinet, gramophone player with a hypodermic needle substitution, Mozart’s Sonata in C, KV 279 and Sonata in D, KV 576. The needle is slowly scratching irreparable grooves into the record whilst the record in return, is making the needle blunt.. "On 20 October 1791, Mozart told his wife Constanza that he was being poisoned. On 20 November he developed a fever; his hands, feet and stomach became swollen, and he had attacks of vomiting. He died on the 5th of December. Although Antonio Salieri confessed to Mozart’s murder several years later, it is highly unlikely as Salieri suffered from senile dementia. In 1991, Ian James of London’s Royal Free Hospital attributed Mozart’s death to antimony, a poison that Mozart may have been given by his doctor - not to kill him but to cure him. Antimony was prescribed for what was then diagnosed as melancholia. In small doses it leads to headaches, fainting and depression. In large doses it can be fatal within days (Emsley 1999: 225). In the autumn of 1791, Mozart, suffering from severe depression, exacerbated by debt, the ill reception of his new work La Clemenza di Tito, and a commission to write a requiem which he believed was for his own funeral, dosed himself with a variety of medicines – one of these being antimony – and what was meant to cure, killed" (Liebenberg 2011: 85 - 91).
  • Notebooks 2 – Nest Records

    "'Notebook 2 – Nest Records' is part of the Peter Steyn Collection at the Percy Fitzpatrick Institute of African Ornithology (PFIAO) at the University of Cape Town. It resides in the top drawer of a wooden cabinet that is locked and stained with nepheline. The drawer is shared with two other notebooks created by Steyn, the first from his youth, and the latter is focused on birds of prey. It lies beside a copy of Frank B. Smithe’s Naturalist’s Color Guide, a published article by Steyn, two printed documents, attached letters and an envelope of reference photographs. The subsequent drawers are filled with an array of labelled, blown, eggs. Pink. Blue. Burnt-copper. Speckled. Splattered" (Viruly 2019).
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