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A letter to Barrie

My dear Barrie, We are pegging out in a very comfortless spot. Hoping this letter may be found and sent to you, I write a word of farewell.... More practically I want you to help my widow and my boy – your godson. (...) I am not at all afraid of the end, but sad to miss many a humble pleasure which I had planned for the future on our long marches. I may not have proved a great explorer, but we have done the greatest march ever made and come very near to great success. Goodbye, my dear friend. Yours ever, R. Scott. (Excerpt from letter penned by Scott to Barrie on 29 March 1912)
Melchior & Cousteau

In 1963 Simone Melchior became the world's first female aquanaut by living in Starfish House, an underwater habitat, for the final four days of the Conshelf II project. Although never visible in the 'Undersea World of Jacques Cousteau' series, Cousteau's wife and business partner played a key role in the operation at sea. She was the acting mother, healer, nurse and psychiatrist to the all-male crew for 40 years. Cousteau describes her as being "happiest out of camera range, in the crow’s nest of the Calypso (...), scanning the sea for whales". Her father, Henri Melchior, was director of Air Liquide (France’s main producer of industrial gases at the time) and funded the invention of the aqua lung and the scuba diving apparatus we know today.
Resonance (Greenblatt)

In 'Resonance and Wonder' Greenblatt discusses ‘resonant’ moments in regards to museum displays as “those in which the supposedly contextual objects take on a life of their own and make a claim that rivals that of the object that is formally privileged. A table, a chair, a map – often seemingly placed only to provide a decorative setting for a grand work – become oddly expressive, significant not as a background but as compelling representational practices in themselves. These practices may in turn impinge on the grand work, so that we begin to glimpse a kind of circulation: the cultural practice and social energy implicit in mapmaking is drawn into the aesthetic orbit of a painting, which has itself enabled us to register some of the representational significance of the map” (1991: 22- 23). For him a resonant exhibition often “pulls the viewer away from the celebration of isolated objects and toward a series of implied, only half-visible relationships and questions” (1991: 23).
Resonance

Image from page 137 of the 'Curiosity CLXXV' catalogue, describing resonance and its application in MRI technology.
Four bruises

Poster designed by film director, Mike Mills. His 2010 movie, 'Beginners', is structured as a series of interconnected flashbacks. Following the death of his father, Hal, from cancer, Oliver reflects on their relationship during the last five years, since the death of his mother.
The Sea Birds of Isabella

Aired between 1968 and 1976, 'The Undersea World of Jacques Cousteau' was a documentary television series about underwater marine life. It was directed by Alan Landsburg and hosted by French filmmaker, researcher, and marine explorer Jacques Cousteau. In the 33rd episode of the series, titled 'The Sea Birds of Isabella', the crew journeys off the coast of Mexico to an island to study its tropical birds. Three years after it was shown, Cousteau's son, Phillipe (then aged 38) died trying to land his seaplane, called the Flying Calypso, on the Taos River in Portugal.
The Jaguar Shark

In Wes Anderson’s 2004 film, 'The Life Aquatic with Steve Zissou', Bill Murray plays the part of eccentric oceanographer, Steve Zissou. Zissou is both a parody of and homage to Jacques-Yves Cousteau, to whom the film is dedicated. The characters were inspired by The Great Gatsby and The Magnificent Ambersons, whilst the plot has been compared to Moby Dick. While filming a documentary, Steve’s partner and close friend, Esteban du Plantier, is eaten by a creature Zissou describes as a “Jaguar shark.” For his next project, Zissou orchestrates documenting the shark’s destruction.