The Medicine Chest

Items

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  Appendix (installation shot)

  A variety of pottery shards consisting of Asian porcelain, European earthenware and British stoneware sourced from the University of Cape Town Archaeology department and subjected to a botanical analysis by a graduate of the Biological Science (Botany) Department.
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  Appendix (installation shot)

  A variety of bones sourced from the University of Cape Town Archaeology and Zoology departments, playfully re-imagined by the students as a collection owned by a time-travelling anthropologist - collecting samples across time and sometimes, across dimensions.
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  Space Station

  Household objects and spray paint. A space station made with objects found around the house, spray-painted with white enamel and suspended from the ceiling with monofilament.
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  How to look at the night sky

  "Even fainter is the galactic light, a diffuse glow that scatters off the dust in the space between the stars. It is said to account for an additional 6 percent of the light of the night sky, too faint to be distinguished from the integrated starlight and the nightglow. Dust accounts for another of these nighttime lights, the zodiacal light. It is caused by the zodiacal cloud, the name astronomers give to the dust that orbits the sun along with the planets and asteroids. Sunlight that reflects off the zodiacal cloud is called zodiacal light" (Elkins 2000: 214 - 215).
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  Prrrip-Prrrip, Tseeeep!: the silence of birds’ eggs

  "Birds are highly vocal creatures, their songs sound everyday in almost every habitat, even our concrete cities. These calls have been likened to the human capacity for speech, yet the faculty of language has, for most of history, been described as solely ‘human.’ Language forms one of several traits deployed to uphold the constructed divide between human and non-human animals. Oology – the collecting and documenting of wild bird eggs – was an obscure hobby and ‘science’ of the past. Collected eggs were pierced and ‘blown’ of their contents. The perfect shells, beautifully coloured with speckles and intricate patterns, were then placed in vast cabinet collections. Such a birds’ egg collection, collected in Southern Africa during the last half of the 20th century, forms the starting point of this exhibition. Through exploring language and communication in birds, this exhibition aims to create an affective environment for re-evaluating the collecting practices of the past (with its ties to the Euro-Western, human-centered perspective), and for re-imagining current natural history collections. It also aims to … poo-too-eee poo-too-eee, pa-chip-chip-chip per chick-a-ree. Ka-ha, ka-ha, kuh-uk-uk-uk! caw-caw-caw-caw-koodle-yah, loooooo-eee! Pa-chip-chip-chip, per-chick-a-ree!" Wall text of exhibition, Prrrip-Prrrip, Tseeeep!: the silence of birds’ eggs