The Medicine Chest

Items

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  Miscast (installation detail)

  Instruments from the Kirby collection displayed as part of the 'Miscast' exhibition.
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  Miscast (Lane reflects)

  "Where viewers had to walk over a floor of vinyl tiles printed with photocopied newspaper articles and photographs of the San, Lane reflected on another archaeological parallel: ‘just as the texts and images on the floor represent the debris of a particular history, so too do the artefacts strewn across the surface of a site’ (Lane 1996: 7). Yet in trying to define sites and their history, archaeologists feel ‘they can tread on the debris of their own or others’ ancestors with equanimity, colonizing that space for themselves’ (Lane 1996: 7)" (Liebenberg 2021: 172 - 174).
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  Miscast (installation detail)

  "In juxtaposing instruments that are still being used (such as the scalpel and the camera) with ones that are not (the Von Luschan skin colour chart and the anthropometric measuring rods), Skotnes set up an opportunity for science to reflect on its past and on the activities and objects of its present, enabling a mode of self-reflexivity that is not a standard part of its day-to-day practices. Through curatorship, she exposed disciplinary practitioners to naturalisations and blind spots within their fields and sensitised them to these previously occluded characteristics" (Liebenberg 2021: 172).
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  Miscast (instruments of measurement)

  "Along with the guides that regulated practices and protocols to stabilise and standardise an individual’s response to unfamiliar and disorienting sights (Kennedy 2013: 42), the gender, class and ethnicity of the observer were also of importance , as was the use of ‘ever more sophisticated instruments and calculations designed to minimize the intrusion of subjectivity into the reporting of information’ (Driver 2001: 55). By regulating who was doing the viewing, stipulating what should be viewed and how and supplying tools to measure these observations, scientific institutions promoted an authoritative ‘way of seeing’ in the field that differentiated the scientific view from that of the ordinary traveller (Driver 2001: 49)" (Liebenberg 2021: 109).
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  Notebooks 2 – Nest Records

  "'Notebook 2 – Nest Records' is part of the Peter Steyn Collection at the Percy Fitzpatrick Institute of African Ornithology (PFIAO) at the University of Cape Town. It resides in the top drawer of a wooden cabinet that is locked and stained with nepheline. The drawer is shared with two other notebooks created by Steyn, the first from his youth, and the latter is focused on birds of prey. It lies beside a copy of Frank B. Smithe’s Naturalist’s Color Guide, a published article by Steyn, two printed documents, attached letters and an envelope of reference photographs. The subsequent drawers are filled with an array of labelled, blown, eggs. Pink. Blue. Burnt-copper. Speckled. Splattered" (Viruly 2019).