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  • Rats laugh when you tickle them

    In 1999, Jaak Panksepp and Jeffrey Burgdorf successfully demonstrated that tickling young rats spurs them into letting out the same ultrasonic giggles they make during play.
  • Rede de elásticos (Elastic Net)

    The Brazilian artist Lygia Clark (1920-1988) produced relational objects to be inhabited and activated by groups of people. Her net made up of elastic bands attached to each other, allows a complex structure, a complex grid, inviting a choreographed dance between strangers as they play with it by pushing and pulling these bands.
  • Resonance (Greenblatt)

    In 'Resonance and Wonder' Greenblatt discusses ‘resonant’ moments in regards to museum displays as “those in which the supposedly contextual objects take on a life of their own and make a claim that rivals that of the object that is formally privileged. A table, a chair, a map – often seemingly placed only to provide a decorative setting for a grand work – become oddly expressive, significant not as a background but as compelling representational practices in themselves. These practices may in turn impinge on the grand work, so that we begin to glimpse a kind of circulation: the cultural practice and social energy implicit in mapmaking is drawn into the aesthetic orbit of a painting, which has itself enabled us to register some of the representational significance of the map” (1991: 22- 23). For him a resonant exhibition often “pulls the viewer away from the celebration of isolated objects and toward a series of implied, only half-visible relationships and questions” (1991: 23).
  • Resonance

    Image from page 137 of the 'Curiosity CLXXV' catalogue, describing resonance and its application in MRI technology.
  • An Experiment on a Bird in the Air Pump

    In Joseph Wright’s 'An Experiment on a Bird in the Air Pump' (1768), he depicts the re-enactment of Boyle’s famous experiment. Contrary to the restricted viewing of this experiment in the confines of Gresham College by the gentleman of the Royal Society, this audience includes a variety of individuals of different ages and gender, exhibiting a mixture of emotions: a young girl worriedly watches the fate of the bird, while another is comforted by her father, seemingly too upset to view the rest of the experiment; a young boy and middle-aged man look on with absorption, while two young lovers only have eyes for each other; lastly an old man meditates on a skull in a jar, and the scientist stare out at the viewer, and not at the experiment.
  • Modest_ Witness@Second _Millenium

    Boyle's 'New Experiments Physico-Mechanical Touching the Spring of the Air', which describes experiments with an air-pump, recounts a demonstration attended by high-born women at which small birds were suffocated by the evacuation of the chamber in which the animals were held. Since the ladies interrupted the experiments by demanding that air be let in to rescue a struggling bird, Boyle reported that “to avoid such difficulties, the men later assembled at night to conduct the procedure and attest to the results” (Haraway 2004: 232).
  • Resonance

    Demonstration of sympathetic vibration using the optical (flame) microphone
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