A woman performs surrounded by a clapping crowd in Langa, South Africa. Fischer took numerous photographs in Langa in the late 1930s alongside her then-husband, Bernhard Herzberg, while he worked to help mobilize black workers.
A man, dressed in traditional clothing, beats a drum on a road leading toward Cape Town, South Africa. Photographs of this same performer from different angles show Table Mountain and Devil's Peak in the distance.
A young man, wearing a cocked hat and smart shirt, rests his crossed arms on the window sill and looks out from a building in the Transkei or Ciskei, South Africa.
An elderly farm labourer works the land with a spade in Genadendal, South Africa. This photograph is part of a larger series of images Anne Fischer made for a photobook she intended to publish with Dora Taylor. Their project was tentatively titled, Vale of Grace, and was ultimately never published.
An elderly woman carries a sack on a farm in Genadendal, South Africa. This photograph is part of a larger series of images Anne Fischer made for a photobook she intended to publish with Dora Taylor. Their project was tentatively titled, Vale of Grace, and was ultimately never published. Fischer printed and exhibited this particular image at the Argus Gallery in Cape Town in late 1947. Beneath the photograph in her exhibition she included the text (in quotes): "I was sick and old so I had to come home."
The hands of an elderly woman crossed on her lap. This photograph is part of a larger series of images Anne Fischer made for a photobook she intended to publish with Dora Taylor. Their project was tentatively titled, Vale of Grace, and was ultimately never published. Fischer printed and exhibited several portraits of this woman (believed to be Rhoda Bailey, née Haas), including an image of her hands, at the Argus Gallery in Cape Town in late 1947.
A woman sits on a chair holding a baby with a young girl by her side, Genadendal, South Africa. This photograph is part of a larger series of images Anne Fischer made for a photobook she intended to publish with Dora Taylor. Their project was tentatively titled, Vale of Grace, and was ultimately never published. Fischer printed and exhibited this and one other photograph of this now unidentified woman at the Argus Gallery in Cape Town in late 1947.
A farm labourer works in a field on a farm in Genadendal, South Africa. This photograph is part of a larger series of images Anne Fischer made for a photobook she intended to publish with Dora Taylor. Their project was tentatively titled, Vale of Grace, and was ultimately never published. Fischer printed and exhibited this photograph at the Argus Gallery in Cape Town in late 1947. Above the print in her exhibition she include the text (in quotes): "I paid ₤12 to sow on community land."
A man dressed in formal clothing stands at the entrance of an underground cellar in Genadendal, South Africa. This photograph is part of a larger series of images Anne Fischer made for a photobook she intended to publish with Dora Taylor. Their project was tentatively titled, Vale of Grace, and was ultimately never published.
Portrait of a farm labourer in Genadendal, South Africa. This photograph is part of a larger series of images Anne Fischer made for a photobook she intended to publish with Dora Taylor. Their project was tentatively titled, Vale of Grace, and was ultimately never published.
Portrait of a farm labourer in Genadendal, South Africa. This photograph is part of a larger series of images Anne Fischer made for a photobook she intended to publish with Dora Taylor. Their project was tentatively titled, Vale of Grace, and was ultimately never published. Fischer printed and exhibited this photograph at the Argus Gallery in Cape Town in late 1947. Beneath the print in her exhibition she included the text (in quotes): "The farmer pays me 2/6 a day."
Two men walking with backpacks along a gravel road in Genadendal, South Africa. This photograph is part of a larger series of images Anne Fischer made for a photobook she intended to publish with Dora Taylor. Their project was tentatively titled, Vale of Grace, and was ultimately never published. Fischer printed and exhibited this photograph at the Argus Gallery in Cape Town in late 1947. Beneath the print in her exhibition she included the text (in quotes): "At harvest time we get 4/- a day and three tots of wine."
A woman, wearing an apron, stands at a fence with clean laundry in Genadendal, South Africa This photograph is part of a larger series of images Anne Fischer made for a photobook she intended to publish with Dora Taylor. Their project was tentatively titled, Vale of Grace, and was ultimately never published.
Portrait of an elderly woman with white hair wearing crooked spectacles, Genadendal, South Africa. This photograph is part of a larger series of images Anne Fischer made for a photobook she intended to publish with Dora Taylor. Their project was tentatively titled, Vale of Grace, and was ultimately never published. Fischer printed and exhibited several portraits of this woman (believed to be Rhoda Bailey, née Haas), including an image of her hands, at the Argus Gallery in Cape Town in late 1947.
An elderly woman sits on a bench in Genadendal, South Africa.This photograph is part of a larger series of images Anne Fischer made for a photobook she intended to publish with Dora Taylor. Their project was tentatively titled, Vale of Grace, and was ultimately never published.
Portrait of a farm worker standing outside a thatched building, Genadendal, South Africa. This photograph is part of a larger series of images Anne Fischer made for a photobook she intended to publish with Dora Taylor. Their project was tentatively titled, Vale of Grace, and was ultimately never published. Fischer printed and exhibited two portraits of this now unidentified man at the Argus Gallery in Cape Town in late 1947.
An elderly man smokes his pipe at leisure in Genadendal, South Africa. This photograph is part of a larger series of images Anne Fischer made for a photobook she intended to publish with Dora Taylor. Their project was tentatively titled, Vale of Grace, and was ultimately never published. Fischer printed and exhibited this photograph at the Argus Gallery in Cape Town in late 1947.
Portrait of an older woman, Genadendal, South Africa. This photograph is part of a larger series of images Anne Fischer made for a photobook she intended to publish with Dora Taylor. Their project was tentatively titled, Vale of Grace, and was ultimately never published.
Portrait of a young girl from Genadendal, South Africa. This photograph is part of a larger series of images Anne Fischer made for a photobook she intended to publish with Dora Taylor. Their project was tentatively titled, Vale of Grace, and was ultimately never published. Fischer printed and exhibited a different image of this now unidentified young girl at the Argus Gallery in Cape Town in late 1947.
A young child poses for a portrait, Genadendal, South Africa. This photograph is part of a larger series of images Anne Fischer made for a photobook she intended to publish with Dora Taylor. Their project was tentatively titled, Vale of Grace, and was ultimately never published.
A portrait of a young boy from the community of Genadendal, South Africa. This photograph is part of a larger series of images Anne Fischer made for a photobook she intended to publish with Dora Taylor. Their project was tentatively titled, Vale of Grace, and was ultimately never published.
An elderly woman (identified as Ai-Ben) sits at a table in her home in Genadendal, South Africa. This photograph is part of a larger series of images Anne Fischer made for a photobook she intended to publish with Dora Taylor. Their project was tentatively titled, Vale of Grace, and was ultimately never published. Fischer printed and exhibited this and six other photographs of Ai-Ben at the Argus Gallery in Cape Town in late 1947. Beneath this particular image in her exhibition, Fischer included the text (in quotes): "I get 30/- a month pension."
Portrait of an elderly woman (identified as Ai-Ben) sitting in a doorway in Genadendal, South Africa. This photograph is part of a larger series of images Anne Fischer made for a photobook she intended to publish with Dora Taylor. Their project was tentatively titled, Vale of Grace, and was ultimately never published. Fischer printed and exhibited this and six other photographs of Ai-Ben at the Argus Gallery in Cape Town in late 1947. Beneath this particular image in her exhibition, Fischer included the text (in quotes): "Do you know, I can hardly see." In the longer monologues originally intended to be included in Fischer and Taylor's photobook this quote reads: "I worked all my life for the Witmense [white people]. They give me 30/- a month pension. Do you know, I can hardly see?"
An elderly man stands in a yard outside a thatched building in Genadendal, South Africa. This photograph is part of a larger series of images Anne Fischer made for a photobook she intended to publish with Dora Taylor. Their project was tentatively titled, Vale of Grace, and was ultimately never published.
An elderly person, possibly a farm worker, sits on the floor with a newspaper, Genadendal, South Africa. This photograph is part of a larger series of images Anne Fischer made for a photobook she intended to publish with Dora Taylor. Their project was tentatively titled, Vale of Grace, and was ultimately never published.
Two young children stand in the doorway of their home in Genadendal, South Africa. This photograph is part of a larger series of images Anne Fischer made for a photobook she intended to publish with Dora Taylor. Their project was tentatively titled, Vale of Grace, and was ultimately never published.
Portrait of an unidentified man from Genadendal, South Africa.This photograph is part of a larger series of images Anne Fischer made for a photobook she intended to publish with Dora Taylor. Their project was tentatively titled, Vale of Grace, and was ultimately never published.